Then she says, “Do not go anywhere alone with your daughter.”
You almost laugh.
“We already accepted.”
Grace’s face hardens. “Why?”
You slide the recorder across the desk.
“Because sometimes predators only speak clearly when they think the prey is already trapped.”
Grace leans back.
“You understand this is dangerous.”
“Yes.”
“I cannot ethically advise you to use yourselves as bait.”
“You don’t have to advise it,” you say. “You just have to know what happens if we don’t come back.”
Arturo flinches.
Grace studies you for a long moment.
Then she opens a drawer and removes a card.
“This is a retired state police investigator I work with. His name is Marcus Hale. You call him before you go. You share your location. You text me when you arrive, and you text me every fifteen minutes. If you miss one, I call him.”
You take the card.
Grace’s voice softens.
“And Elena?”
“Yes?”
“If you get one clear chance to leave before anything happens, take it. Evidence is not worth your life.”
You think of Diego at the bottom of that cliff twenty years ago.
You think of Lucía crying fake tears into your shoulder.
You think of your grandchildren, Mateo and Sofia, being raised by a woman who could push blood over stone and still come home for dinner.
“My son never got that chance,” you say.
Grace says nothing.
On Saturday, the sky is painfully blue.
Lucía arrives at your house at ten in the morning wearing a cream sweater, hiking boots, and the bright smile she uses when she wants the world to believe she is a good daughter. Esteban waits in the SUV, scrolling on his phone. Your grandchildren are not with them.
That tells you something.
“Where are the kids?” you ask.
Lucía’s smile does not move.
“With a sitter. I thought today should just be us adults. You know, quiet.”
Quiet.
A word that now sounds like a grave being covered.
Arturo loads a picnic basket into the back. His recorder is sewn into the lining of his jacket. Yours is tucked inside your scarf. Your phone is sharing location with Grace and Marcus Hale. You have already sent the first text.
Leaving now.
